The film is genuinely frightful, and Lansbury’s performance, which borders on comic relief, only adds to its terrifying disorientation. Though Lansbury maintains she was never set up to be a beautiful Hollywood starlet, it’s a delight seeing her pretty, innocent face snarling while delivering the quips that contribute to Bergman’s descent. The 19-year-old Lansbury nabbed a Best Supporting Actress nomination in her first screen outing for her role as the downright bitchy maid Nancy, who’s all too happy to flirt with Bergman’s man and give her some serious glares. Gaslight (1944)īefore the word lost all meaning, Gaslight meant one thing: an Ingrid Bergman psychological thriller in which her husband convinces her she’s going insane so he can steal her family’s fortune. These eight picks show how she honed all these gifts into a singular screen persona that, while ranging from the dastardly to the darling, encompass the beloved actress’s artistry. When you had that kind of talent, you knew just how much to offer, and when. Any interview or appearance she ever made highlighted what we came to love about her: She was charming and candid, as open as can be while still keeping her internal essence to herself. Her Mame curtain call is absolutely spectacular, a throwback to a time when standing ovations meant something the applause from (allegedly) the raucous first performance of “A Little Priest” on Sweeney Todd’s opening night is thunderous and existing footage from her Tony-winning turn in Gypsy is a masterclass in her genius blend of vaudeville-era showbiz and mid-century psychology.Īnd, of course, the dame had class. Potts in Disney’s Beauty and the Beast) to grandmothers (and grandmothers at heart) through her 12-season run on Murder, She Wrote.īelow are eight standouts to celebrate the eight decades Angela Lansbury spent on our screens - but if you’re looking for even more from her, don’t forget a third of Lansbury’s genius was left on the stage, so do yourself a favor and fall into a YouTube spiral of the highest order. Over her very long career, she endeared herself to everyone from children (see: her comforting vocal performance as Mrs. ![]() Because the world is good sometimes, she was properly lauded during her life, gathering six Tony Awards, six Golden Globes, an Olivier, an Academy Honorary Award, and nominations for three Oscars, 18 Emmys, and a Grammy for her achievements. It all makes for a satisfying drama that also provides a pretty good showcase for its stars.Angela Lansbury, iconic star of stage and screen, died on Tuesday at the age of 96. In fact, it seems to have been constructed rather carefully, so as to provide subtle hints that can be made use of later on. The story does, of course, have some less plausible elements, but it is written carefully enough that the seams rarely show. ![]() A very young Angela Lansbury gives her character some pointed moments, and she becomes a useful part of creating the right atmosphere. Joseph Cotten does not really seem as if he could be a Scotland Yard detective, but in a more general way, he succeeds pretty well as a sympathetic policeman who wants to help personally while striving to get at the facts of the matter. Boyer likewise comes across very believably as her calculating husband, and the two leads make their characters into a strong foundation for the tense story. ![]() The character of the fragile, self-doubting Paula is an ideal role for Bergman, who conveys Paula's anxious uncertainty while keeping her sympathetic and even engaging. Ingrid Bergman and Charles Boyer work very well in the two leads, and they get considerable help from the rest of the cast and the production. This American-made version of the English thriller "Gaslight" is well-crafted and well-acted, with many moments of good suspense and tension.
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